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Let Us, Drive Your Sound

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 STUDIO & GEAR

Console;

Toft ATB 24 Channel, Digi design Command 8

 

Monitors;

The Original KRK V6, Avantone - Mixcubes

Behringer P16-I / P16-M

Recorders;

MOTU 24 I/O - CS400 - Pro Tools 10 

Digidesign digi003 - Mac Book Pro - Pro Tools 10                  

Antelope Audio Isochrome OCX, Teac V-570

Tascam SS-R200

 

 

 

 

Analog FX;                  

Lexicon MP, Lexicon MX200

Line 6 POD Pro, Looptrotter SA2RATE

                 

Microphones;

Rode NT1, AKG C414 II, Shure SM58

Shure SM57, Shure PGA52, Shure PGA56s

Shure PGA57, Shure PGA81s

MXL V69 Tube [Mogami Edition]

Plugins & Virtual Instruments;

Waves Mercury  v9, Antares

Universal Audio UAD 2- Neve

Native Instruments, Reason 4

Sibelius 6 & 7, Vienna Symphonic Library

 

 

 

Musical Instruments;

Basses: Tobias Growler Bass, Spector 1988 Bass

             Takamine Jasmine ES-50 C Bass

             Hagstrom FXB-200 Bass

Bass Amp: Ampeg BA115v2

Guitars: Ibenez Artstarr, Applause Acu/Elec Guitar

               Fender Strat (American)

Guitar Amp: Fender Champion 100 Red, Rogue CG-20R

Drums: Pearl Decade Maple 5-pc

 

Keyboard: Alesis Q6.1

 

Mic Pre-Amps;

Universal Audio 2-610, Toft -MTA series                          

Focusrite Platinum Octo Pre

 

Dynamics; 

dbx 160A, dbx 560A, JDK R22, JDK V12                  

Teletronix LA-2A, Chameleon Lab 7720,                 

Warm Audio -WA76, SSL  X-Logic G Series                  

ART Pro VLA II, Drawmer DS404- Quad  Noise Gate                 

XQP-531 De-esser, dbx 520 De-esser

Black Lion Audio - Seventeen

Equalizers; 

Toft-Vintage Series 80 EQ, Ashly PQ-26

Warm Audio EQP-WA (Tube), KuSh Clariphonic

JDK R24, Great River/Harrison EQ32

Ocean Audio 500 EQ

 

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 © 2020 ABISHAI Publishing

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